Lady Mary Lasenby is a spoiled maiden who always gets her way until shipwrecked with her butler, then learns which qualities are really admirable in a person.

Lady Mary Lasenby is a spoiled maiden who always gets her way until shipwrecked with her butler, then learns which qualities are really admirable in a person.

2005年圣诞的美国纽约，发生了一起意外爆炸事故，死伤众多。2012年的日本，曾作为新闻记者活跃于JBS电视台报道部的宫部苑子（藤原纪香 饰），由于某些原因丧失了对报道的热忱。然而，苑子从曾经的线人处得到密报，称当时在美国那场事故中失去爱妻的日本籍男子进藤悟史（渡部笃郎 饰）正准备回到日本为当年妻子的意外去世复仇杀人。这一爆炸性的线索再一次燃起苑子狙击独家新闻的目标。苑子与部下野村（永山询斗 饰）一起开始跟踪调查悟史的情况。而悟史除了每天默默的在精肉工场工作，并不与他人接触，这让苑子们认为此人没有可疑，然而野村却发现进藤家里被人安装了盗听器...... 　　事情的真相究竟是什么？苑子能否找出当年事故的起因？

2005年圣诞的美国纽约，发生了一起意外爆炸事故，死伤众多。2012年的日本，曾作为新闻记者活跃于JBS电视台报道部的宫部苑子（藤原纪香 饰），由于某些原因丧失了对报道的热忱。然而，苑子从曾经的线人处得到密报，称当时在美国那场事故中失去爱妻的日本籍男子进藤悟史（渡部笃郎 饰）正准备回到日本为当年妻子的意外去世复仇杀人。这一爆炸性的线索再一次燃起苑子狙击独家新闻的目标。苑子与部下野村（永山询斗 饰）一起开始跟踪调查悟史的情况。而悟史除了每天默默的在精肉工场工作，并不与他人接触，这让苑子们认为此人没有可疑，然而野村却发现进藤家里被人安装了盗听器...... 　　事情的真相究竟是什么？苑子能否找出当年事故的起因？

《婆婆的镯子 高质量婆媳相处之道》是《婆婆的镯子》的会员衍生精编版，讲述了90后沪漂刘茵与上海男人石磊走入婚姻，与精明婆婆斗智斗勇的婆媳趣事。

两个年轻人，一个害羞，一个自信，在巴黎度过了一个快节奏的夜晚，试图搭讪小鸡。他们面对一切可能的困难。

Around a familiar theme – the breakup of a marriage – Yvonne Rainer constructs a wickedly funny account of a self-satisfied womaniser. Sitting in a chair facing the camera, Jack Deller rambles on about women, whose visual absence runs through the entire film. On the soundtrack we hear their questions and comments, by turns enraged or laconic, both stressing and also subverting Deller’s self-assured discourse. The spoken words are taken from texts found in film and everyday culture, from poststructuralist, psychoanalytic and feminist theory. Aside from the theme of the failed (heterosexual) relationship, further fields of conflict get explored – the housing shortage and gentrification in New York during the 1980s, abortion rights, the violent interventions of the US in Latin America. A never-ending collage made up of contradictory levels of meaning results in producing ever new connections and contexts. “Rainer is not trying for some kind of well-mannered correctness or a masterly, fatherly notion of ‘transcendent intellectual clarity’; rather, she tends toward a type of tumbling process, an unbalancing of power, language, and the body.” (Barbara Kruger, Artforum 1986) 　　源自：https://www.berlinale.de/en/2023/programme/202314258.html

Around a familiar theme – the breakup of a marriage – Yvonne Rainer constructs a wickedly funny account of a self-satisfied womaniser. Sitting in a chair facing the camera, Jack Deller rambles on about women, whose visual absence runs through the entire film. On the soundtrack we hear their questions and comments, by turns enraged or laconic, both stressing and also subverting Deller’s self-assured discourse. The spoken words are taken from texts found in film and everyday culture, from poststructuralist, psychoanalytic and feminist theory. Aside from the theme of the failed (heterosexual) relationship, further fields of conflict get explored – the housing shortage and gentrification in New York during the 1980s, abortion rights, the violent interventions of the US in Latin America. A never-ending collage made up of contradictory levels of meaning results in producing ever new connections and contexts. “Rainer is not trying for some kind of well-mannered correctness or a masterly, fatherly notion of ‘transcendent intellectual clarity’; rather, she tends toward a type of tumbling process, an unbalancing of power, language, and the body.” (Barbara Kruger, Artforum 1986) 　　源自：https://www.berlinale.de/en/2023/programme/202314258.html

艺术品收藏家艾德琳（帕特里克·波查 饰）来到朋友丹尼尔（Daniel Pommereulle 饰）的海边别墅度假，在这里，他遇见了漂亮的女孩海蒂（哈蒂·波丽托弗 饰）。丹尼尔告诉艾德琳，海蒂是个生活作风颇为开放的女孩，有许多个风格迥异的男友，艾德琳和朋友在背后戏称她为“收集男人的女人”。艾德琳崇尚健康、自然、克制的生活方式，这样的他自然瞧不起海蒂的放浪形骸，但同时，他发现自己又总是不经意的注意着海蒂，这个女孩的一举一动能够轻易的牵动他的情绪，并且，海蒂似乎对自己也心怀好感。没想到，海蒂选择的居然是自己的好友丹尼尔，这让艾德琳心里很不是滋味，他离开别墅回归到自己的生活，却仍然和海蒂保持着藕断丝连的关系。在法国这个热情浪漫的城市里，一对男女对待感情兜兜转转遮遮掩掩。